Archive for the ‘Writing’ Category

Writing Spaces

Thursday, August 19th, 2010

I’ve tried desks. They don’t work for me. I resist sitting down at the desk. I resist going to the desk. Sometimes I resist even going into the room where the desk is kept.

But I have a little white MacBook and the battery lasts for hours and so I carry it around the house with me. Portability means no excuses.

Say I spend the morning working at the kitchen table. By coffee-time (which, as you know, is around 11am) I’ll decide that this cushion isn’t soft enough and my bumcheeks hurt, or that the edge of the table is too sharp and my elbows hurt, or that the light is too dark and my eyes hurt. It would be very easy to stop at that point. To go and watch some daytime TV or vacuum the carpet or rearrange books for no apparent reason.

But the laptop can be in any room I am in, so I take it with me. I take it into the front room and write on the comfy library chair for an hour, then I take it into the bedroom and sit up in bed for an hour, and then I take it into my girlfriend Susie’s studio and plug it into her giant graphic designer’s computer screen and work on that for an hour.

When I’m writing I’m like a bratty toddler – the only way anything gets done is bribery, threats, and a desperate avoidance of boredom. By changing my surroundings and moving around my (rather small) flat, I manage to alter the scenery often enough that I don’t get bored.
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Picture #1 is the kitchen table. I usually start my day here because it’s quiet and the table is big and I can make tea often. The right side (with the notebooks and paperbacks and empty cup) is my side and the left (the neat one with the fruit bowl) is Susie’s. I feel that the neatness of our sides of the table serve as metaphors for our respective brains: hers is tidy and healthy, and mine is just a chaos of loose papers.

Picture #2 is the bed. I only work here during the day because Susie and I have a strict no-laptops-in-bed rule. It’s nicest in the afternoon when the sun slants in and warms my feet. The obvious problem is nap temptation.

Picture #3 is the library area in the front room. It’s good to work here in the evening because the lamp gives a soft glow and being surrounded by books always inspires me. I can also use them as bribery: “Edit another 500 words and you can read something!”

Writers and creative people, do you work all over the place like me? Or do you have a dedicated workspace? Show me!

A Week Of Email Silence

Wednesday, July 21st, 2010

As of Thursday the 21st of July, I will be on a writing retreat for a week. I’ll be trying out an email/phone/Facebook/Twitter silence (which, for me, will be a big change), so if I don’t respond to any messages you send, that is why.

See you next week!

Thievery: Peach Cigarettes in Tokyo

Tuesday, July 6th, 2010

Thievery is a series of blog posts about my story inspirations.

The Story:

‘Peach Cigarettes in Tokyo’, published in Pear Noir! #4.

An extract:

“The first time I ever smoked a peach cigarette, I was wearing a dinosaur suit and sitting on my friend’s balcony in a Tokyo suburb. My friend had a dinosaur suit because he’d gone to a fancy dress party the week before, and I was wearing it because I was cold and it was made of fleece. I’d never been much of a smoker, but the vending machine sold dozens of different flavours and what was the point of traveling halfway around the world if I wasn’t going to try new things?”

The Inspiration:

Tokyo. Oh, Tokyo. How you inspire me.

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(Note: the third part of this story previously appeared in a slightly different form as my Darling Wigleaf letter. Which proves nothing except that I rip myself off.)

Thievery: All-Night Cartoon Party

Thursday, July 1st, 2010

Thievery is a series of blog posts about my story inspirations.

The Story:

‘All-Night Cartoon Party’, published at Wigleaf.

The Inspiration:

I spent two years on an MLitt in Creative Writing at Glasgow University. About 90% of what I learned appeared to be a complete waste of time. One class was about OuLiPo, a French movement that seeks to constrain writing in order to be more creative. OuLiPo practitioners use exercises like prose sestinas (using the word repetition of the sestina form in a prose piece), writing a story without using the letter E, or the “snowball” technique (the first line is one word long, the second line has two words, etc.)

In class, we all produced ‘opposite’ stories – write a story, then for each word write the opposite. ‘Some people are grumpy’ would become ‘none ghosts aren’t cheerful’. The interest in the exercise was that most words don’t have a clear opposite. What is the opposite of ‘people’? I chose ghosts but it could be angels, or corpses, or monsters. It was a fun exercise, but I really couldn’t see the point. The things we produced were nonsensical, pointless; who’d ever want to read these?

It’s only now, a year after I graduated, that I see the point of these things. They force you to not be yourself for a while, to not fall into the same themes and tropes and word-patterns that you always do. When I first started the MLitt there was nothing that I ‘always did’, because I hadn’t written much. Now that I’ve cranked out some more words, I often need to stop and think: have I said this before? And that is where OuLiPo comes in.

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‘All-Night Cartoon Party’ is a prose sestina (if you want to figure out the word pattern, please feel free!). I love writing prose sestinas. I love that I start out trying to write one story, and then realise that the words won’t allow me to, and so it has to turn into a different story. I like that I’m guided by the words. I like the sense of losing control, of being forced to make unexpected decisions. When I’m finished, I sometimes don’t recognise the story I’ve written. It seems so un-me. But sometimes it’s good for us to wear a mask for a while.

(Note: I really did go to a Halloween party dressed as Betty Boop.)

Wishlist Stories

Sunday, June 27th, 2010

I want to read these stories, but I can’t write them. If you can write them (or already have written them!) please let me know so that I can exclaim joyfully and then read them.

Wishlist Stories
  • The husbands of women involved in the women’s liberation movement in the 1970s. What did they think – did they support their wives, fight against them, or just ignore them? How were they treated by their friends and peers?
  • Mystery about lesbian flappers in 1920s Oxford.
  • Macbeth from Lady Macbeth’s point of view.
  • Noir crime with a queer female detective shagging her way around some gritty, anonymous streets, leaving a trail of false clues and broken bra-clasps behind her.
  • Sweet coming-of-age story about a T-rex in a 1990s ghetto.
  • Anything set in Svalbard, but preferably a love story with mythical elements.

Am I the only one with a story wishlist? What stories do you wish existed?

Thievery: Imaginary Birds

Tuesday, June 15th, 2010

Thievery is a series of blog posts about my story inspirations.

The Story:

‘Imaginary Birds’, first published at Scapegoat Review, reprinted at BluePrintReview.

The Inspiration:

For several years, I wrote an online journal. I had journal friends whose lives I followed with interest, and we discussed our lives and our art through comments.

pm-15372-largeOne girl – whose name I have now forgotten – posted many photos of her social circle; she called them her adopted family. She lived in a big house out in the country somewhere, full of God’s-eyes and old bicycle parts and copper saucepans. They smoked dope on the porch and played weird string instruments and everything they did was a ‘collective’. And there was a baby there too. It was not my journal-friend’s baby and she was not in a relationship with either of the child’s biological parents, but she was a parent. Everyone in the house was a parent. The baby was called Antigone, or Voltaire, or Leonardine, or something equally baroque. I thought to myself: THAT CANNOT WORK.

But perhaps it did. Perhaps they all lived and loved together and they were the happiest family ever and that baby has grown into a creative, questioning, sensible toddler, and everyone still lives in that house and it’s the most inspiring thing.

This girl was so lovely and fascinating and I envied her life, because although I wouldn’t want it for myself it seemed that it was exactly the life she wanted. And everyone should have exactly the life they want to have.

In the story, I wanted to talk about this sense of ownership. A mother owns a baby because she makes a baby, but of course a child is a small person and people are owned by no-one. So who really has rights over a child? Who has responsibility? Does biology mean anything? Does it matter who incubates you, who feeds you with their body, who gives half of their own self to you? What does matter?

(Note: I tried to find the girl’s journal so that I could post one of her photos here, but it’s gone. Deleted. And because I don’t know her name, I can’t track her down. So thanks for the inspiration, stranger.)