Archive for January, 2010

Top 5 of 2009

Thursday, January 21st, 2010

Okay, so I’m a bit late with this list, but it’s been a busy month.

First, books. I read 86 books last year (30 novels, 11 short story collections, 11 poetry collections, 14 non-fiction, 13 young adult novels, and 7 graphic novels). The following is a short list of my favourites, only a couple of which were actually published in 2009.

Books

  • Rain – Kirsty Gunn (somewhere between poetry, short fiction, and a novel)
  • The Blood of Strangers – Frank Huyler (this should be on everyone’s how-to-learn-to-write list)
  • If On A Winter’s Night A Traveler – Italo Calvino (how is it possible for a book to be so complex yet so fun and easy to read?)
  • Stripping and Other Stories – Pagan Kennedy
  • The Terror – Dan Simmons (this took me seven months to read and is totally ridiculous, but I still can’t stop thinking about it)

Short Stories

  • Mr Penumbra’s 24-Hour Bookstore – Robin Sloan (on Escape Pod)
  • The Lepidoctor – Mick Jackson (in Ten Sorry Tales)
  • The Black Forest – Pagan Kennedy (in Stripping)
  • Suck, Blow – Lauren Simpson (in Stolen Stories)
  • I Dreamed I Fucked Stephen King While We Were Both on Vacation in the Cayman Islands With Our Spouses – xTx (on Oprah Read This)

Biggest Disappointments

  • Electric Literature
  • Anthem – Ayn Rand
  • The Harrowing – Alexandra Sokoloff (my fault really; I thought this author was far more intelligent than she appears to actually be)
  • The Wire in the Blood – Val McDermid (I tried to like Val because, you know, awesome prolific queer writer; but I just couldn’t handle 480 pages of boredom)
  • The Birthing House – Christopher Ransom (people actually like this masturbatory shit?)

Right, that’s it. I’m ready for 2010.

The Selfish Writer

Wednesday, January 20th, 2010

I am an inconsiderate writer. I never change names and I never disguise events. I never pretend that anything is fiction, because it rarely is. I write about my own hurts and the hurts I caused, on purpose and in revenge. I’d write about you, and I wouldn’t even ask you whether it was okay.

I would never purposefully hurt someone’s feelings in my daily life, but in writing everyone I’ve ever met is just fodder for stories. For reasons I can’t really justify, I think this is acceptable. If creative writing is a merging of experience and imagination, then what do writers really have except what happens to them? All I know to write about is my life, and if other people happen to be present for those experiences – or to cause them – then of course they have to be part of the story too. So I wrote about those people, and I never told them.

All of this was fine when I was single. Well, maybe it wasn’t fine for the people I fucked and fictionalised, but it was fine for me, and as they stamped on my poor little heart I didn’t really care what they thought. And then I met Susie.

The only person I spend more time with than Susie is myself. Susie and I wake up together every morning and we fall asleep together every night. We cook dinner together, then we eat dinner together, then we play Guitar Hero together. She’s a part of most of the things that happen to me, because in the time I’m not with her I’m usually making cappuccinos for minimum wage or drinking tea while staring at my flashing cursor. I write about my experiences, and she’s in every single one. But I can’t just fuck and fictionalise her, because she’ll know and because I’ll care.

So I censor. I twist things around and say I made them up. I mix events together, pretending that they never really happened. I change names and places and genders and ages and facial features. I lie.

It’s better this way; it must be. I’m happy and I write so much, and people seem to even like what I’m writing. I’d rather be content and inspired and in love and have to write around someone else’s feelings; if I didn’t have Susie, I’d be so miserable that I wouldn’t write anything anyway. I can’t be expected to live a lonely and tragic existence just so that I can talk shit about people in my fiction.

But as much as I believe this, I sometimes miss my selfishness. I miss writing revenge stories exposing the truths of barely-disguised ex-lovers. I miss feeling so bereft because some girl whose face I can’t even remember stopped calling that I wrote a story about hearts that could be rented and returned. I miss being so in lust with a lanky blond 20 year-old that I wrote a poem where I was the giantess and he was my genderqueer victim.

I miss it in the same way that you’d miss your shitty boring hometown or the ex-boyfriend who let you trample all over him; I miss it, but I don’t want it back.

Don’t Ask, Do Tell

Wednesday, January 20th, 2010

Go here to read my article in The Skinny about how to tell the world that you’re a giant queer.

It even got a shout-out on AfterEllen, which is the most exciting thing that’s happened to me ALL YEAR. I feel like a celebrity. An extremely minor, un-famous celebrity whom no-one knows. Which is still a step up.

2009, We Hardly Knew Ye

Wednesday, January 13th, 2010

It’s only when I finally give in and say I can’t possibly do something that I actually get off my arse and do it. Why is that? Anyway, here is my afore-promised:

Two Thousand and Nine In Kirsty-Shaped Review

I appear to have done nothing at all in January except be hungover and write bad poetry. So let’s skip quickly over it.

February
New work in Chronogram, Salome, Velvet.

March
Spent a week in Alicante
New work in Membra Disjecta, Swamp.

April
Compered a night of readings at the Glasgow Women’s Library.
New work in Likestarlings, Salome, six sentences, Queer Zine Lit.

May
Spent two weeks in Tokyo.
Honourable mention in the 5th Glass Woman Prize.
Won the 43rd Balticon Poetry Contest.
Read at the launch of the Triangle multimedia project.
New work in Word Riot, Circlet, The Foliate Oak, 4 & 20.

June
Won the Gillian Purvis Award; used the prize money to launch Fractured West.
New work in Soundzine, From East to West.

July
Moved in with my beautiful girlfriend Susie.
Shortlisted for the Glasgow Student Short Story Prize.
Started writing articles.
New work in Gutter, Scapegoat Review.

August
New work in Moondance, Circlet.

September
Started writing non-fiction and personal essays.
New work in Wigleaf, .Cent, Writers’ Bloc, Clean Sheets.

October
Officially finished my MLitt with a Distinction.
Won a New Writers Award.
Started writing music reviews for Wears the Trousers.
Started teaching Stolen Stories, a writing class on mythology/history/fairy tales.
New work in Popshot, Existere, Oysters & Chocolate, Letters From the City, Circlet, The Pygmy Giant, Branta.

November
New work in Writers’ Bloc, Neon.
Finished NaNoWriMo for the third year running.

Like January, December appeared to consist mostly of red wine and bad poetry, so I’ll skip neatly over that too.

Looking back at 2009, it looks like I did a lot. I did some travelling, got plenty of work published, and even managed to win some awards and grants. It seems like I never stopped moving. But all I see is the things I didn’t manage to do: finish my novel, write the final paragraph of my lesbian Cinderella story, or get the editor of the Sunday Herald to return my emails.

It’s silly, really; if I saw the above list on someone else’s website I would probably be jealous; but I just fixate on what was not done. Is it because my fear of being complacent makes me fundamentally dissatisfied? Because I am obsessed with being on the Granta’s Best Young British Novelists list before I’m 30? Because the only point of being a waitress is that you’re a hidden genius? Because I’m a first-born child?

I have no idea. But this year I’m going to sellotape my bum to my chair, speaking in monosyllables and eschewing all sustenance except strong coffee and cereal bars, until that damn novel is finished. My girlfriend will love that.

New work for 2010

Sunday, January 10th, 2010

So 2010 has only just begun, and I have a handful of new publications that I need to mention. They’ve all been out for at least a week (or a fortnight or even a month), but I haven’t mentioned them yet.

This is because I thought to myself “The next blog post I make will be a review of 2009, so I can’t update about anything else until I have reviewed 2009″. And then I never got around to thinking about 2009 because it’s 2010 already and I don’t want to be thinking about last year when it’s been snowing for weeks and my toes are always numb and the pipes keep freezing and I have to wear fingerless gloves just to type and this is supposed to be Scotland not bloody Svalbard.

So that’s my excuse. Now here are the new things.

  1. An untitled piece at Mud Luscious inspired by John Everett Millais’ painting ‘Cymon and Iphigenia’ and that blonde Aussie DJ called Ladyhawke.
  2. A little piece of sci-fi smut in the beautifully-designed Forest Book of Bedtime Stories.
  3. Some queer epistolary historical vampire erotica (seriously) at Reflection’s Edge.

4, 5, 6. And some other bits and pieces like an album review at Wears the Trousers (which was far harder to write than I expected), some NaNoWriMo chat on student radio show News Empire (you should listen to the whole show, but if time is short I’m on at 12 minutes in), and an honourable mention for the Cheshire Prize for Literature (including a mention in a Chester newspaper – a town I left at 12 and have not seen since).

I like to make promises I’ll only break, so I hereby GUARANTEE that my review of 2009 will appear any day now. Hopefully before 2011.

Stolen Stories 2010

Saturday, January 2nd, 2010

What do Neil Gaiman, Ali Smith, Nick Cave, and Margaret Atwood have in common? Stolen Stories!

Stolen Stories is a 10-week evening class at Glasgow University on using mythology, fairy tales, history, and classic literature to create original fiction.

Classes begin on the 14th of January, and run 7pm-9pm on Thursdays. The cost is £75 for the 10-week course. If you have any questions, please email me.

Get more details and a full course outline here.