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Kirsty Logan

Hello! I’m Kirsty Logan, a writer of novels and short stories. My books are The Gloaming, The Gracekeepers, A Portable Shelter, and The Rental Heart & Other Fairytales. My next book, Things We Say in the Dark, is out Halloween 2019.

Latest News

Kirsty Logan

Hello! I’m Kirsty Logan, a writer of novels and short stories. My books are The Gloaming, The Gracekeepers, A Portable Shelter, and The Rental Heart & Other Fairytales. My next book, Things We Say in the Dark, is out Halloween 2019.

Blog

How to Write Cover Letters That Will Charm Editors

4th Jun 2018 in Writing

Cover letters are important, but a great cover letter does not guarantee publication – if your story is unsuitable for the magazine, it’ll still be rejected. That said, if the editor likes how you come across in your cover letter they’re much more likely to send you an encouraging rejection, and they will read your next submission with more interest and enthusiasm than if you had annoyed or insulted them. Depending on how you submit your story, a cover letter…

How to Perform Your Writing

4th Jun 2018 in Writing

Now, more than ever, writers have to get out there and build an audience. Think of it like a gig for writers – when it comes to music everyone wants to say ‘I heard that band before they were famous’, and the same is true of writers. One of the best ways to be heard is to perform your stories and poems at spoken word nights or literary festivals. Be prepared “Ask questions, or if possible go and see the…

10 Steps to Becoming a Published Writer

4th Jun 2018 in Writing

1. Read. As well as showing you how narrative works, novels and short stories teach you about language: the rhythm of sentences, which phrases and images are fresh and which are cliché, and how to find the right balance between dialogue, description and action. Unusual non-fiction is great for potential story ideas too. 2. Write. It’s amazing how many people forget this step! It’s all very well reading books about writing, or listening to podcasts about writing, or discussing writing…

What the Slush Pile Taught Me

4th Jun 2018 in Writing

For two years I co-edited Fractured West, a print magazine for flash fiction. We received around 3,000 stories, and I read every single one. I also guest-edited a special UK-themed issue for PANK Magazine, for which I read around 500 stories, poems, and personal essays. What I am trying to say is: the slush pile is my friend. It teaches me what what works and what does not. For example, I have read dozens of stories with one (or more)…

How to Set Up a Writing Workshop

4th Jun 2018 in Writing

Honest, useful critique is a vital part of being a writer. Writing is so internalised that we can lose track of our words, and what we meant to say isn’t actually on the page. It’s difficult to look objectively at your own work, and every piece of writing eventually needs a fresh set of eyes. If you can’t find a suitable workshop group in your area, then set one up yourself! This is easier if you already have some writer-friends…

Five Ways to Build a Story World

4th Jun 2018 in Writing

‘World-building’ is usually used to describe fantasy or science fiction stories, but all stories happen somewhere. Narratives set in the real world are created by the writer too: smells, colours and temperatures can vary wildly depending whether your story is set in Ghana or Liverpool or New York, the present day or ten years ago or the late 1800s. Writers must build a strong sense of place without dumping paragraphs of rambling description into the story, and there are lots…